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	Search results for Pictorial    Refine your search Creator 4 () 3 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () 1 () results 1-20 of 71 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 1. [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap. 2. [Bookplate for Mary Katharine Black by Thoreau MacDonald] This pictorial engraving was created using black ink on white paper and portrays an island with two wind-swept trees with a rising/setting sun on the horizon. 3. [Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.] This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.]. 4. [Bookplate for Steve Borden by Larry Reynolds] This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature. 5. [Bookplate for Roderick J. Barman by Margaret Noble] This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."] 6. [Bookplate for Dickens Fellowship] This pictorial bookplate features green ink on green paper. Morning-glories create a floral frame to the text, at the bottom of which is a picture of Dickens. 7. [Bookplate for Frederick Epplen by F.] This pictorial bookplate (created with black ink on white paper) portrays in the foreground Chiron (a centaur) and his pupil Asclepius (the Greek god of healing who is here portrayed holding a caduceus) ; these two figures overlook the ocean, a ship, and a temple. 8. [Bookplate for Aemila Mailiake by F. M.] This pictorial bookplate (blank ink on white paper) portrays a displayed [wings expanded and legs spread] eagle with tongue protruding ; on its chest is an argent shield with "M" on it. Below the eagle is a bushel of wheat, to the right and left of which is "F" "M" [the artist's initials]. Flowers blossom from the upper right and left corners. 9. [Bookplate for George Macaulay Booth] This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription. 10. [Bookplate for Amelia Alexis Alvey by Eva Alvey Richards] This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose. 11. [Bookplate for J. W. Eastham] This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat. 12. [Bookplate for Mary Katharine Black and F. Black] This is a commercial, pictorial bookplate displaying, in vivid colours, an antiquated ship sailing over the horizon. The names of the originators have been hand written onto a banner above the ship. 13. [Bookplate for Elizabeth Rogers] This bookplate is executed in black ink on crème paper, and is rife with heraldic and pictorial imagery denoting peace, freedom, and benevolence. The center image is one of peace, as it contains a great tree spreading its branches over meadows and pastures under the rays of a setting or rising sun. This is flanked by standards bearing roses. The heraldic imagery is placed above the scene of peace, as if resting on the tree. A shield in the center contains a mullet over purple in the lower half, and roses over black in the upper half. It is topped by a closed helmet out of which springs what is most likely a fox. Underneath the image of peace are three French military medals for providing aid in times of war. 14. [Bookplate by M. Trinque] This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank. 15. [Bookplate for Edwin A. Dalrymple] This bookplate has both heraldic and pictorial qualities. Upon a heraldic crest are five mountains, in profile. Above the image is a banner, with Latin motto within. 16. [Bookplate for Edmund Smith Hopkins by E. Soucher] This bookplate features a pictorial design with flowers, books, and other miscellaneous items along with a quote from John Wilson, a Scottish author. 17. [Bookplate for A. W. Robertson] This bookplate consists of a pictorial image of men in a rowboat in the foreground with the image of a large sailboat in the background. Between the two primary images is the shape of a whale, the ocean, and three small rowboats. It is designed to replicate the style of stained glass, and is therefore divided into sections which are executed in varying colours such as blue, green, yellow, brown, and purple. Each section is delineated in black ink and is bordered in black ink. The bookplate is on white paper. 18. [Bookplate for John C. Brune] This bookplate consists of a pictorial escutcheon. The image is of a stag at speed emerging from the woods. Above the shield is a helmet, front facing with bars, topped with a crest wreath and a rack of antlers. From the sides of the helmet flows elaborate heraldic mantling. 19. [Bookplate for George Herbert Wailes] This bookplate consists of a combination of heraldic and pictorial elements. At the centre, is an ovular frame containing an image of a nude woman in a crouching position, and holding a flower pot in her open hands. From the pot, stands a single flower. Above the frame is a small escutcheon, argent (silver), charged with a crane. The crest is a dexter helm, itself topped by a straight wreath, and a horseman's spur and strap, accompanied on either side by a pair of wings erect. Behind the crest is a banner containing the Latin motto. 20. [Bookplate for Ethel Kingsley-Baillie and Charles Kingsley-Baillie] Textual and pictorial bookplate created using burgundy ink on ivory paper. The image and text are within a thin frame ; at the top centre is a standing dragon holding a ball below which is a banner. select all : clear all : add to favorites results 1-20 of 71 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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